About Paper Leaf Bindery

Paper Leaf Bindery’s Mission Statement

Paper Leaf Bindery is committed to the art of bookmaking and conservation, blending traditional craftsmanship with a deep respect for nature and history. Our mission is to create, preserve, and restore books, honoring their cultural significance. Our methods foster the enduring legacy of bookbinding for future generations.

A little more about Paper Leaf Bindery

Paper Leaf Bindery’s journey started from a simple curiosity to restore an old, worn book. This sparked a lifelong dedication to the art of book creation and conservation.

The name ‘Leaf’ symbolizes a deep connection to nature, reflecting the inspiration drawn from the natural world in our unique prints and book designs, and is a cornerstone of our artistic identity.

Books…

We love them,

We read them,

We make them,

We heal them.

Craft, Conservation, and Continuity

Our work is guided by a deep commitment to historical bookmaking techniques and established conservation best practices. At Paper Leaf Bindery, every project—whether a newly bound volume or a well-loved family heirloom—is approached with care for material integrity, historical context, and long-term preservation.

The bindery’s methods are grounded in formal training and professional conservation environments, drawing from academic study and hands-on experience in research libraries and institutional conservation labs. This foundation informs how we select materials, structure bindings, and make treatment decisions, ensuring that each book is honored both as an object of use and as a cultural artifact.

With more than three decades of combined practice, Paper Leaf Bindery reflects the enduring relevance of traditional bookbinding today—where historical knowledge meets contemporary craftsmanship, and every book is treated with respect, intention, and longevity in mind.

Meet the Team

Trisha Weekes, Paper Leaf Bindery’s Founder

Experience & Education

Experience
  • Owner, Head Conservator—Paper Leaf Bindery (2020–Present)
  • Book and Paper Conservator—Church History Library, Church of Jesus Christ of Latter-day Saints (2019–2024)
  • Student Book and Paper Conservator—Brigham Young University, Harold B. Lee Library, L. Tom Perry Special Collections, Conservation Lab, (2016-2019)
  • Paper-maker (1994–Present)
  • Bookbinder (1993–Present)
Education
  • Bachelor of Arts, Brigham Young University, with an emphasis in Bookbinding, Printmaking, and Letterpress
  • Minor in Art History, Brigham Young University, with an emphasis on the History of the Book

Brandon Weekes, Paper Leaf Bindery’s Co-founder

Experience & Education

Experience
  • Owner, Business Manager—Paper Leaf Bindery (2020–Present)
  • Instructional Designer, Adjunct Instructor—Ensign College, Church of Jesus Christ of Latter-day Saints (2022–Present)
Education
  • PhD, Career and Technical Education, Utah State University
  • Master of Business Administration, Utah Valley University
  • Bachelor of Science, Business Management, Utah Valley University

Kohleen Reeder Jones, Book and Paper Conservator

Experience & Education

Experience
  • Book and Paper Conservator—Paper Leaf Bindery (2025-Present)
  • Conservator in Private Practice (2016-2025)
  • Head Conservator of Rare Books and Manuscripts—Brigham Young University, Harold B. Lee Library, L. Tom Perry Special Collections, Conservation Lab (2013-2016)
  • Book and Paper Conservator—University of Utah, J. Willard Marriott Library, Preservation Division (2008-2013)
  • Postgraduate Research Associate in Paper Conservation—Yale University, Yale Center for British Art, Paper Conservation Lab (2006-2008)
  • Conservation Intern—National Library of Scotland, Conservation Unit, Edinburgh, United Kingdom (Jan-Feb 2006)
  • Conservation Intern—University of Durham, Palace Green Library, Conservation Lab, Durham, United Kingdom (July-Aug 2005)
  • Conservation Intern—Family and Church History Archives Conservation Lab, Church of Jesus Christ of Latter-day Saints (May-Aug 2004)
  • Student Book and Paper Conservator—Brigham Young University, Harold B. Lee Library, L. Tom Perry Special Collections, Conservation Lab, (2003-2004)
  • Conservation Intern—The Frick Collection, Frick Art Reference Library, Conservation Lab, New York, NY (May-Aug 2003)
Education
  • MA in Conservation Studies/Postgraduate Diploma in Conservation-Restoration of Books and Library Materials—West Dean College, Chichester, West Sussex, United Kingdom (2004-2006)
  • BA in Visual Arts, with an emphasis in Graphic Design and Bookbinding—Brigham Young University (2000-2004)